It offers a normal optical mode with framing lines similar to a rangefinder, making it fantastic for street photographers who like being able to see what is going on outside the frame to be able to anticipate action. If you have not tried it before, the hybrid viewfinder is just an absolute blast to use. It feels comfortable in the hands, the controls are logically laid out and intuitive, and the hybrid viewfinder remains one of my favorite features on any camera out there. It looks like a relic from the rangefinder era, but that design is part of the typical Fuji charm and hides a very technically capable device underneath the exterior. The X100V is an attractive, innovative camera. 11 fps burst (20 fps burst with electronic shutter).Hybrid optical/electronic viewfinder with 3.69-million-dot resolution.3-inch, 1.62-million-dot tilting touchscreen.And hey, sometimes the best way to improve your skills is to force yourself to use things that are outside your comfort zone.
But I love anything quirky, and I just could not resist the allure of such a quirky camera. It was the antithesis of the proper camera for me: I hate prime lenses for walkaround work and I am not especially creative with standard focal lengths like 35mm or 50mm. Fujifilm has also provided a focus lever for changing the focus point without having to touch the screen, potentially making for faster photography when you’re out in the field.Back in 2014, I got the X100S, the second in the X100 series. There are plenty of controls at the back, though, so don’t expect those to disappear, and there’s even a rear viewfinder, too. If you remember back when cameras had more dials up the top the camera than the back, that’s what Fujifilm appears to be channelling, relying on a touchscreen on the back that can be seen at various angles, while the top provides mode, exposure, and shutter speed, not to mention what also looks like a cable release port for folks who still like firing their camera remotely. There’s one other side to the camera we find interesting, and that’s the look, with Fujifilm keeping the X-T30 positively old school in its design.
“Thanks to its versatile build, range of easy to use features, and enhanced AF capability, new photographers will be comfortable using the X-T30, while experienced photographers will be spoilt for choice with the improved functionality and capability,” he said.
#Fuji camera retro series#
“The X-T30 has been a hugely anticipated addition to our popular X Series range, and we’re excited to be able to provide a mirrorless camera perfectly suited to photographers of all skill levels,” said Alex Zitser, National Product and Marketing Manager for Fujifilm in Australia. To that end, Fujifilm has adapted some of the technologies released on its X-T3 in this body, sporting an improved autofocus algorithm that takes advantage of advanced tracking performance in stills and video, with improvements to fac and eye detection, as well as face recognition in continuous mode. That’ll be handy, since Eterna is a film stock made for filmmaking, though it apparently can be used for both. Speaking of video, you’ll find 4K Ultra HD support here, though Fujifilm says the X-T30 actually captures in 6K and then downsamples to produce a 4K picture, with film simulation working here, too. And that will handle Fujifilm like that of Acros, Astia, Velvia, and the classic monochrome as well, as well as Eterna typically made for video. That’s part of what makes up the Fujifilm X-T30, with this model delivering a relatively small and compact mirrorless interchangeable lens camera offering a weight of 383 grams without the lens, and a 26 megapixel sensor designed to emulate film. In fact, Fujifilm’s latest sticks with the smaller APS-C sensor, while keeping a decent amount of megapixels inside, among other things. Not sure if you want a camera that comes off looking super modern? Fujifilm’s latest goes the other way, delivering modern tech under the hood of a deliciously retro design.Ĭanon’s announcement of a new full-frame mirrorless might have been one of the big items in camera news this past week, but it wasn’t the only one, as Fujifilm also has some news of its own.Īs nice as full-frame is, it isn’t the only technology sitting at the heart of cameras.
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